Listening to Listeners in a Digital Culture: The Practice of Listening to Digitally-Mediated Sermons
Abstract
This study examines digitally-mediated sermon listening practices by interviewing twenty-nine listeners from Swedish Protestant congregations. The analysis draws on Theodore Schatzki’s practice theory, focusing on the entanglement of human activity, material arrangements surrounding the preaching event, and the ends of practices—including how changes to any or all of the above impact the practice in question. The study found that listeners strove to uphold the listening practices they were accustomed to from their respective churches and attempted to carry these over into the digitally-mediated preaching event. To a large extent, they succeeded in opening and managing a “third room of preaching.” Furthermore, the study highlighted the importance of knowing the ends of these listening practices. The study also demonstrated the significance of material arrangements and how changes in these arrangements sometimes led to the obstruction—or even breakdown—of listening practices. However, changes in material arrangements also inspired new practices—pointing to the need to rethink listening practices that are merely borrowed from in-church services.
Downloads
License
For articles: All articles published in Homiletic are the exclusive property of the Journal. All copyright rights to the article shall be owned by and be in the name of the Academy of Homiletics. The Academy of Homiletics in turn grants all authors the right to reprint their articles in any format that they choose, without the payment of royalties, subject to giving proper credit to the original publication with Homiletic. The Academy of Homiletics also permits articles to be copied for non-profit educational use provided proper credit is given to Homiletic. Authors may self-archive their articles in an institutional repository or other online location, provided proper credit is given to Homiletic.
For reviews: All reviews commissioned by Homiletic are the exclusive property of the Journal. Reviews are considered a work made-for-hire, and, as such, all copyright rights to the review shall be owned by and be in the name of the Academy of Homiletics. The Academy of Homiletics in turn grants all review authors the right to reprint their reviews in any format that they choose, without the payment of royalties, subject to giving proper credit to the original publication with Homiletic. The Academy of Homiletics also permits its reviews to be copied for non-profit educational use provided proper credit is given to the review author and the Journal. Authors may self-archive reviews in an institutional repository or other online location, provided proper credit is given to Homiletic.